Priyudu Movie Review

It is a complete mood swing for people who watch the violent Bezawada one day and the preachy and the mellowed love tale Priyudu on the other. Newcomer Shravan's focus is on the matters of the heart about two people who have diverse opinion on love; Karthik (Varun Sandesh) is a well-to-do youth who avoids love and romance like plague, thinks that it stifles his freedom and strips him off his individuality.

But when he bumps into Madhu Latha (Preetika) who falls for him and both their families give their immediate consent, Karthik doesn't reject the proposal lest his decision hurt his parents. The film would wind up fast if the couple decide to speak their mind to each other so we have the hero bringing in a suitor Vara Prasad (Randhir) attempting to impress Madhu Latha and from then on it's lengthy drama that centres around the trio, their understandings and misunderstandings.

The story gives out an outdated approach to narration and also the characters. The heroine is a modern Sati Savitri, the film should have been titled Priyuralu, who believes that her contentment stems from her partner's happiness. Knowing well enough that Karthik loves his freedom, she gives him enough breathing space, moves around with the third character in the story and makes the hero feel the pangs of love.

Just not the hero, even his father lacks a spine; when he can't see his son suffer, he advises him to go to the US of A. The hero gets hit twice, one in a ghastly bike accident and next the villain hits his head hard with a brick. The recovery time is very short but the real brick falls over him when the girl gets ready to marry Vara Prasad.

Taste, credibility in story goes missing as soon as the hero spits the chewing gum out of the window. He gets his mandatory and clichéd monologue in the climax to show his talent. The director overdoes and makes Kasi Viswanath look repulsive.

Varun Sandesh speaks better Telugu in Priyudu than any of his previous movies. Now that he uses his face more to express the emotions, he can move over to using the rest of the body as well. The layers of clothing, sometimes a full sleeves shirt doesn't cover the lanky physique.

Preetika looks achingly lonely as if the world comes to end just because a guy doesn't love her. This bleak perspective of the character is likely to put off contemporary women. Randhir does good work and Vennela Kishore's hilarity outshines that of Ali's.

Bezawada Movie Review

You walk in expecting violence in Bezawada and you get only that. Now if you want freshness in killing like the one seen in Naa Peru Shiva, or some great dialogues or interesting characters you won't find any, even some of the artistes look alien may be small-time actors from Hindi movies or television serials and there is no connect.

Any attempt at an elevated gore, a simple message in the end or the Indrakeeladri Hills, the Prakasam Barrage in the backdrop as a prelude or the title song that is shamelessly suggestive of caste and personalities fails to give the script an extra edge. This is a story that is partly biopic and partly raised from fiction, it is about the dead and the dying and there is no philosophical or meaningful engagement of characters or narration.

Wonder why first-time directors work towards making an ardent and a faithful copy of their master's lifeless, pointless and trite stories that are inspired by real-life incidents intended to sensationalise or create shock value. If the same asinine films of faction politics with the same handling of script and narration is continued, then we should stop cribbing about the endless possibilities of dubbing films invading Telugu market.

We shouldn't complain about fabulous actors like Amala Paul doing a role that can be played by any other heroine, as they know they are required to just walk and reel of dialogues..a heroine in Telugu film will always be confined to a small place, they sign the films consciously as they know they will be paid well for that. If Naga Chaitanya's performance has to be judged and the previous film is a parameter for that purpose, then he is definitely better and will always be better as long as he carries a serious expression.

Poor Ahuti Prasad, he is just not himself playing a cop..he is stiff, unnatural and uncomfortable. The role given to Ashok Kumar or Kota is almost the same..all the actors lack fire (they all work with indifference and the lackadaisical attitude is evident like the ones on a government job) lack a connection between their own relationships, audience can easily predict the next dialogue like we do from Manmohan Desai movies.

People are advised to wait for a day or two to watch any film that comes from RGV camp; chances are that you could derive more entertainment on his micro-blogging site free of cost than spending precious time and money on the deranged stories. Bezawada is nothing but another product to fool the audience, reviewers have no choice but you do!

Desi Boyz Movie Review

Desi Boyz is not over the top romance but just right to give you a good time and keeps you smiling. At one point dollops of sentiment threatens to deluge you but the story is right back with unexpected entries from a few characters that keeps the interest alive.

Nick (John Abraham) and Jerry (Akshay Kumar) share great comic chemistry in a story that essentially revolves around friendship. The director has packed quite a few messages other than friendship and wound up the film pretty well with food for thought. The unsuspecting audience will definitely raise eyebrows at the plot.

Two men sign up at an agency run by Sanjay Dutt which provides male escorts. Since Indian heroes are also revered for maintaining chastity, the duo decide to entertain women for money but without actually indulging in the act.

Jerry (Akshay Kumar) has nothing to lose except the custody of his nephew. If he doesn't get a job and pay the school fee the orphaned nephew will be taken away by a foster family, so he takes up the disgraceful job. Radhika (Deepika Padukone) is the upmarket high maintenance woman who dumps her boyfriend John Abraham when she discovers he is an escort.

Both the men lose the people who are precious to them and end up as losers. The next half of the film is about how they get a job, a life and their girlfriends but not without let the world know that they would escort women all over again for friendship.

For once Deepika is overshadowed by Chitrangada Singh but the former has her 2 minutes of fame proposing to John. Anupam Kher comes up with witty lines and there is court room comedy too to spice things up. Sanjay Dutt finally makes his presence felt and also is tailor made for the role.

The film is rightly rated A for the adulterous content but there isn't anything vulgar. Desi Boyz has good music, a nice cast..a cute film that makes for a good time pass.

Solo Movie Review

Solo is a complete reflection of director Parasuram, the language, the locations, the people and the sense of humour. He has a simple point of the hero being born an orphan and being raised or brought up without someone whom he call his own. His only aim in his life is to marry a girl who has a large family behind her and when the search ends the girl's father seeks the same qualities in the prospective son-in-law.

The hero refuses to marry her without the family's approval because he craves for the love and the sense of belonging, the togetherness. The major flaw in the movie begins in the next half of the film when you don't agree or connect to the point of the hero making his presence felt physically at the girl's home, staying with them even while her wedding has been fixed and her groom, his family is at home.

Why would any person no matter for whatever reason would allow a boy friend in the house? The attempt here is to glorify the character of the hero, of his largesse and derive sympathy from his sacrifice but that doesn't happen. The director tries to justify this point through Sayaji Shinde's character but it isn't convincing.

Next is director Parasuram trusting Rohit to carry of comedy in his second film. The first film had Rohit doing a serious role, hardly smiling. When actors with decades of experience aren't able to get the right expression, how could the director expect a relative newcomer to pull of the comedy quotient? Rohit has shown variation, improved vastly in dances but he still needs to work hard and be flexible in his body language, expressions. Luckily and intelligently there are very few fights.

Srinivas Reddy is back in form, he and Ali steal the show and so does newcomer Swapnika who plays the heroine's friend. This film is completely hero-centric, so Nisha Agarwal doesn't get to do much. She was better and a natural in her first film, here she is a regular eye candy you get to see in many movies. Not that one sees a mirror image of Kajal in her because she is her sibling, it is the lack of weight in her role that the attention diverts to physical comparisons of the sisters.

There is a 'Solo' song like Ek Niranjan with lyrics almost duplicated, Prakash Raj and Jayasudha appear in clichéd roles. Parusuram is capable of much more better work, Solo struggles to show logic and suffers from cast who couldn't put up a competent show but luckily the comedians give you the money's worth and the character artistes fill up the gaps and prevents Rohit from crumbling solo.

Veedu Theda Movie Review

Whether people like it or not the fact is that there are no stories to excite audience these days so what the director does is take a cue from what worked for a recent film i.e., some comic episode and recycle it with a degree of difference to be spoken about or at least be noticed. Sad that a debut director like Chinni Krishna couldn't think of anything creative to tickle people. It is the same MS Narayana again who dresses up like various stars and makes a spoof on them; Khaleja and Puli might not have worked for the crew concerned but every third filmmaker is using the mannerisms of the hero and the songs as a pastiche.

The story is formulaic about the hero suffering from unrequited love; The girl has a strange reason not to accept his love..i.e., because she is orphaned. The rest of the story is how she has been orphaned and why certain goons are behind her blood. No clue to as why the hero is referred to as 'theda'; in fact Suman who appears for a brief while as the heroine's father makes more impact than the hero who overacts on certain occasions.

This is quite a big canvas for a first time director, a protégé of VV Vinayak. He concentrates on the story in the first half and crams all the comedians in the last part of the film and each of them comes up with a corny dialogue. Songs crop up for no rhyme or reason and on one occasion Nikhil as Katti Seenu describes Meghana (Pooja Bose) as a mango ripened in unseason (read as off season).

It is difficult to identify a young actor like Nikhil growing a stubble, shooting lewd lines, boozing and picking up a variety weapon to face goons who corner him. He's like a baby taking giant foot steps instead of crawling. Pooja Bose is pretty but she is confined to wearing one expression throughout the film. The first half is entirely boring and Ali is irritatingly silly.

Veedu Theda caters to the front benchers who are happy and content with the spoofs on Balakrishna, Pawan Kalyan, Mahesh Babu. There is an utterly shocking and a disgusting dialogue from Brahmanandam who plays Banana Baba. The movie clearly shows that the first time director was trying to play safe by not deviating from structure and technique that has been tried and tested.

Sri Rama Rajyam Movie Review

Mythological stories have an inbuilt significance, an appeal and passes through the test of time. Any epic that is retold innumerable times whether it is on television or on big screen or even in a book format engages people for it's invaluable information, knowledge and becomes the doctrine that guides us in the society, it is the gospel, it is the ultimate truth.

When Lava Kusa was released it had a magnetic impact on the public, there was no categorisation such as the mass or class. From the abandoning of Sita in the forests to the verbal duel between Lakshman and his nephews to the agonising dissapearance of Sita as the earth breaks into two halves, everything captured and involved people's involvement. Children waited with bated breath as snake shaped arrows clashed and brought out showers, fire and the works. Every person would leave the theatre teary-eyed with fulfillment, the people saw the Gods in the artistes, the intensity, the expression was so moving.

To make Lava Kusa these days, something that has already been watched so many times needs a lot of thinking and courage. First it is the idea, the willingness to embark on such a huge venture in the face of commercial viability, and completing it with perfect casting and technical input and the indomitable spirit of the producer in the face of emotional upheavels and finally releasing it in the theatres is nothing short of divinity. We cannot recollect anyone else currently in the role of Ram who enjoys a star status and commands an opening.

Like the orignal, Ram's role was limited and ditto here too. The focus, the story revolves around the emotional aspect of the relationship between the husband and wife..the turmoil of the separation, the king and his subjects, sibling relationship, the importance of a sage as a philosopher and a guide, mother and a daughter and what not but the major part. Each relationship, each dialogue and an argument has a justification, an answer to all doubts.

Sri Rama Rajyam is the hero, the people involved in the making and those who have acted in should thank their stars for getting such a beautiful opportunity to be a part of it. Bapu's venture is made with language simple enough for a common man to understand, the film is best enjoyed without comparisons. Two characters that stand out are Sita and Valmiki, the director has etched both the charcters beautifully without undermining the importance or stripping the value of the remaining characters.

ANR as Valmiki breathes life into his role, brings in dignity through his character..he explains the meaning of Ramayan in an utterly simplified version, the difference between astras and shastras, becomes a father figure to Sita and a guardian to her children. Sita has become synonymous with suffering, self-respect/pride and her role essayed by Nayanthara is brilliant.

Ilayaraja is an undeniable asset. Balakrishna's work is limited like in the original, none could have replaced him like mentioned earlier but if this movie had come to him ten years earlier it would have made a difference to his career. Make-up is supposed to enhance an appearance but here it really didn't. The kids all of them have been very comfortable with the camera and their sense of humour in the second half i.e., during the final scenes came alive.

Sri Rama Rajyam doesn't give any extrordianry feel..it's not necessary either but with a fabulous screenplay and a very identifiable literature, songs, Bapu-Ramana have come quiet close to making a very good film given the resources and time. A welcome break this one from the commercial madness!

panjaa(2011)

Panjaa (2011) Telugu Mp3 Songs Free Download
Cast :: Pawan Kalyan,Sarah Jane Dias and Anjali Lavania
Director :: Vishnuvardhan
Music Director :: Yuvan Shankar Raja
Produced By :: Sanghamitra arts and Arks Media arts

01 - Panja

02 - Yela Yela

03 - Veyira Cheyi 

04 - Kshanam Kshanam

05 - Anukoneledhuga

06 - Paparaayudu 

                     Click Here To Download All Songs

Rockstar Movie Review

Nargis Fakri marks her debut with Rockstar; She might resemble Katrina Kaif in many ways but in looks and expressions she is far better than what Katrina was in her first few films. Her role required her to be a woman of blithe spirit and the chemistry between both the actors was palpable. She plays a woman Heer Kaul who is about to be married and is not averse to the friendship offered by Janardhan Jakhar. Both of them enjoy all the wild things, freak out and are also conscious about their status and future.

Janardhan doesn't measure upto Heer in any manner, be it education, culture and society and has not yet made a career. The struggling guitarist now as Jordon soon joins the married Heer in Prague and the passion is rekindled. This part of the film has been shot well, the passion between the actors comes alive. But for a moment we wonder if it is Ranbir Kapoor or Emraan Hashmi who's playing the lead because there is lust in the actor's eyes and everytime he sees the girl, he grabs her.

Love could be an undercurrent but passion dominates. The actor's changing look is stunning and goes with the narrative. The director is very crystal clear about what he wants to say about the lead character, i.e., he is restless, impatient, craves for her and doesn't derive the satisfaction of wealth and status without her presence. The first part of the story has been well narrated but only in the latter part it gets flawed, slows down.

Was Heer suffereing from a terminal disease or was she in depression because of her secret affair and role conflict as a wife and lover because of which she sought to consult a psychiatrist? It isn't clear. Plus, the police beating him up, his constant scuffle, the paparazzi and the media bashing is a bit over bearing. Ranbir Kapoor as Rockstar is amazing, it is just not about the role he portarys but how he does it, it isn't about just holding the guitar, one sees a born musician in him.

Screenplay is tad irritating, Rockstar is another love story that is set against a music backdrop. It reminds us of Venkatesh-Revathi's Prema but the end here is again confusing and convoluted. Does the Rockstar go through the curse of hurting Heer as a member in a family puts it or does the pain in his heart bring out a rocking song? The locations in Kashmir, Prague are stunning. All in all, the film rocks in parts before nose-diving irrevocably.

One time watch definitely for Ranbir Kapoor, the terrific screen presence of Ms Nargis Fakhri, and to check out what's in Sadda Haq!

Damadamm! Movie Review

For the first time Himesh decides to act and guess what? There are no smooching scenes. The actor goes for a complete image makeover, cropped hair, an ear ring, complete stubble and a very docile, passive and a reserved look and does everything to get into the character's shoes but when it comes to actually performing he forgets it.

The passion and intensity he shows in romantic scenes which is his forte goes absolutely missing and here he is a plain lifeless human who suffers from a hangover in the second half of the story that forces you to make a sincere plea, Himesh get back to doing what you are best at. Matters are made bad because of the predictable storyline that seems so idealistic, out of place, out of tune and not very today.

Damadamm! is a very simple story of a man who has a live-in girlfriend who is also his colleague at work, very loving, caring, posessive, nagging and finally irritating. When she goes out of station for 15 days, it's freedom time for our man who finds the new girl at work, apparently the boss's sister, very refreshing and perfect material for a girlfriend, obviously she has that one quality and most importantly that one quality a man desires - she allows him his space.

Matters move quickly and he dumps her with the sole reason that she's not his type and he's not willing to change despite her offer to mould herself according to his requirement (sic). Wedding announced and old girlfriend pulls out her next trick on her sleeve, she makes him feel guilty.

It is this point of time the script falters, humour is forced, induced and Himesh makes silly faces to show that he actually loves the new girl that is absolutely unnecssary, from then onwards there is nothing for you to look forward to. One even feels he is ready to return the investment his ex made on the apartment but no..the clichéd run-of-the-mill formula takes over and Himesh struggles to behave like a man who realised his folly.

The confusion in his character reigns till the end making you wonder what about this man that two women are wasting his time over him. Sonal Sehgal is a look alike of Pooja Batra, but has more spunk and talent and is also good-looking. Purbi Joshi is immensely talented and shines over Himesh.

Director Swapna Waghmare led the first half of the story with confidence and required sensitivity but she should have taken cinematic liberty and given the story a different finish by retaining the seriousness in the film. By the time you leave the theatres you only wish Damadamm! didn't end like the senseless and confused Mango number. Outdated treatment this!

Oh My Friend Movie Review

When you are showing a film to establish a point that friendship is possible between a man and a woman, one can do it without emphasising, re-emphasising so much from the first scene to the last, that you would arrive to a conclusion that something is being forced on you which is not actually normal. Venu Sriram shows immense promise but he got carried away by filmi dynamics, making it too dramatic.

The entire last part of the film, where the couple have babies, etc., is not needed at all. To show the level of proximity, Siri (Shruti) addresses him as Falthoos (luckily the filmmaker kept it very decent, in real life we see people (read as man and a woman) using profane language to address each other to show how cool their relationship is) and uses certain words like Sampthu Bidda, Maa Gang Lo Aadinistha Lera..which appears superficial.

For those who have seen Vasantham, Jaane Tu.. Ya Jaane Na or even Iddaru Mitrulu, this one won't surprise. Shruti is the fulcrum of the film, she had no choice but to act this time and she is quite good in her work. The film is an explanation to people who think and believe that a man and a woman can never be friends and by the end of the film does it serve the purpose? There is a beautiful analysis in the last 15 to 20 minutes but again the film remains a film for a film's sake and finally one ends up empathising and agreeing with what Uday (Navdeep) says and feels.

The story is about Siri and Chandu, who love each other, enjoy each other as a person, but not enough to date or marry them. What does this mean? It is absolutely a platonic relationship, there is only love, no sexual attraction. The conflict develops when their respective lovers begin to demand their presence, feel possessive. Ali appears for a brief period and is indeed a great comic relief but for him there was a tendency to wonder why one is being made to sit and listen to their justification that they are friends and not lovers.

Oh My Friend is strictly average, Shruti looks beautiful as a dance teacher, her involvement in her work is very visible. If her combination and rapport, the chemistry with Siddharth brings out this many expressions then one would definitely wouldn't mind seeing more of her on screen with him. Both of them do good work but it is the writing, those extra scenes that go over the top. Screenplay could have been better.

The role given to Hansika was uninteresting, she appears as a bimbette, beautiful but no mind of her own and the hero drools over her for obvious reasons which again makes the viewer forward their bias for Siri and not Chandu. Navdeep is flawless.

A bit outdated story though, you could watch it for the pretty Shruti and talented Siddharth, for whom this role is another extension. Lyrics by Krishna Chaitanya impress and those by Sirivennela Sitarama Sastry overshadow the story. Good music, good performances but overall a pretty average film.

Warrior (2011)

Warrior (2011)

* Release Date: 09/09/2011

* Rating: PG13

* Runtime: 2 hr 19 mins

* Genre: Action, Drama

* Director: Gavin O’Connor

* Cast: Joel Edgerton, Tom Hardy, Jennifer Morrison, Frank Grillo

Movie Review:

By Thomas Leupp

Gavin O’Connor’s (Miracle, Pride and Glory) stirring new drama Warrior is an underdog tale set in the nascent sport of Mixed Martial Arts fighting. In its relatively short life, MMA has yet to inspire much quality cinema of note. It now has its Rocky.

Warrior’s twist on the traditional underdog formula is to provide us with dual protagonists: the fightin’ Conlon brothers, Brendan (Joel Edgerton) and Tommy (Tom Hardy). Neither have spoken to each other since the dissolution of the parents’ marriage fourteen years earlier. Both of late have fallen on hard times. Tommy is an Iraq war veteran who has turned to pills and booze since returning from abroad; Brendan is a high school science teacher and devoted family man victimized by the financial crisis. Circumstances compel them both to seek salvation in the fight game.

Conveniently enough, the opportunity of a lifetime arrives in the form of Sparta, a brand-new, winner-take-all MMA tournament that awards its champion a cool $5 million – more than enough for Brendan to save his house from foreclosure, or for Tommy to make good on his pledge to provide for the family of a friend killed in Iraq. By this point, we know for certain that fate has determined Brendan and Tommy will meet in the final, and we know for certain how utterly ridiculous this scenario is. And yet we accept it, because by this point, Warrior already has us in its corner.

The origins of the brothers’ enmity are ultimately traced to their father, Paddy (Nick Nolte), a monstrous alcoholic whose abusiveness led their mother and Tommy to flee fourteen years prior. Brendan stayed behind, and Tommy never forgave him for it. When we see Paddy, he’s broken-down husk of a man, God-fearing and 1000 days sober, his face creased with shame and regret. Neither son can stand the sight of their old man, but Tommy, in need of someone to train him for the tournament, reluctantly enlists his father’s help. Paddy, eyeing a last chance at redemption, enthusiastically complies.

Cue the training montage. A fighter rising from obscurity to the upper echelons in his sport within a matter of weeks is hard to swallow; when two fighters do it, it’s a borderline insult to the sport. MMA aficionados might blanch at watching Tommy and Brendan gain one unlikely win after another; more likely they’ll be too absorbed by the action to care. It helps that Hardy and Edgerton both look the part, and are both skilled enough at their craft to lend the film’s many brutal fight scenes a distinct realism. It helps even more that the story, and the actors’ stellar performances, have us firmly aligned with their goals.

O’Conner, a veteran of the genre, deploys the underdog tropes at his disposal freely but assiduously, crafting a tale that is unabashedly far-fetched but grounded in characters who are intensely appealing, and who feel authentic. The storytelling is clumsy at times – that Nolte’s character listens to a book-on-tape of Moby Dick throughout the film feels particularly heavy-handed – but Warrior wisely steers clear of bombastic speeches or cloying sentiment.

Warrior’s climactic final fight, in which the estranged brothers at last meet in the ring, is both gut- and heart-wrenching. When the film’s suitably happy ending does eventually arrive, the film gives way ever-so-briefly to hokeyness. But after what these kids have gone through, you can forgive them for getting a little emotional.

Mogudu Movie Review

Mogudu Movie Review

Banner: Laxmi Narasimha Productions

Cast-Gopichand, Tapsee, Shradha das, Roja,Naresh,Rajendra Prasad etc…

Music Director: Babu Shankar

Lyrics: Sitarama Satri, Suddala Ashok Teja, Ramajogaiah Sastri

Producer-Nallamalapu Bujji

Direction-krishna vamsi

Release Date: 04-11-2011

Store:

Gopichand’s latest movie Mogudu is going to hit the theatres on November 4th. Tapsee and shradha das are doing female leads. After his wanted movie’s disappointment Gopichand pinned high hopes on the movie.

Veteran actors Rajendra Prasad and Roja and Naresh are essaying vital roles in the movie. Babu Shankar debut in to the industry through this movie as music director. Mogudu is touted to be family entertainer.

Story revolves about Mogudu who is a husband. Every person who marries couldn’t be a husband. He will be fulfills that position when he bare his responsibilities and having better understanding with his partner.

Krishna vamsi says this would be good movie in Gopichand’s career and surely he will capture aucience with his action. Makers are confident about movie’s success.

7th Sense Movie Review

Banner: Laxmi Ganapathi Films
Udhayanidhi Stalin Presents
Cinematography: Ravi K. Chandran
Editing : Anthony
Music : Harris Jayaraj
Directed and Written: A. R. Murugadoss
Produced : Udhayanidhi Stalin
Release date: 26 October 2011

Cast: Suriya,Shruti Haasan,Johnny Tri Nguyen, etc…

Story:
Seventh Sense Movie created sensation the moment it was announced. ’Ghajini’ pair Surya and Murugadoss combined together after a long gap of seven years and are planning to break their own records. Harris Jayaraj who is creating ripples in the film circuit tuned music for the film. The audio was launched in a grand manner couple of days back and let’s have a look on whether it rose up to the expectations of the listeners.

Music Review:

Oh Ringa Ringa………..
Artist(s) : Benny, Suchitra

Don’t go by tollywood hit ‘Ringa Ringa’ in AlluArjun’s Arya-2.This song will drive youth crazy and though one may not give much importance to lyrics in any of the fast paced songs the song symbolizes the significance of friendship in life. If anyone is familiar with kollywood music some may be remembered of other similar songs 3-4years back and also of music rendered by Harris Jayaraj in his earlier tamil films.

Mutyala Dhaarani……….
Artist(s) : Karthik, Megha

Melody lovers will really love this song along with people who are in love.Karthik and Megha added special flavor to the song with their sweet voice.

Yellelama………..
Artist(s) : Vijay Prakash, Karthik, Shalini, Reeta

The song ‘Yellelama’ is a fast paced song with the words ‘Sirisha’ ringing in the minds of people. One may be reminded of the song ‘Sirisha’ song in Ragada but there’s no comparison at all. The singers did a good job.

Amma Amma……………….
Artist(s): SP Balasubrahmanyam,Swetha Mohan

This is a slow melancholic song by SPB .Harris Jayaraj’s music gives flashes of ilayaraja’s compositions.Telugu wordings in the song gives us impression that they have added only not to change the meaning of the original version. It is not anyone’s fault if they remember hit Yesudas’s masterpiece in Kamal,Sridevi starrer Kanne Kalaimane’ song in ‘Moondram Pirai’ or ‘Kathaga Kalpanaga’ in Vasantha Kokila in telugu though it comes no where near it.

Endukanta Joda………
Artist(s) : Balram, Naresh Iyer, Suchith Suresan

This is an inspirational song that tells the significance of friend in need coupled with hard work. The picturisation of the song and the situation is important for this song to attract viewers. It may not appeal to audience while listening but one has to remember ‘Ekku Toli Mettu’ in Rajanikanth’s ‘Narasimha’ before judging it.

The Rise of Damo (Mandarin)……..
Artist(s) : Hao Wang,Sunitha Sarathy

The much talked Chinese song is here for you and in an instance one can hear ‘twinkle twinkle little star’ tunes. It’s a soothing song with Sunitha Sarathy in telugu and Hao Wang in Chinese. Indian film industry especially tollywood is known to include words of other languages in its songs but this is the first time they included foreign lyrics. Who knows they may want to capture Chinese market!

Overall the music is sure to create a sensation and Harris Jayaraj knows the pulse of the present generation to deliver tunes touching their heart. The album exemplifies Haris Jayaraj’s confidence in his talent as all the songs are of long durations with around 5 minutes but no where one gets bored or turning off or switching over to next song. The album has all songs like fast beat for parties, melodies for lovers and what more one can expect.

Bejawada Movie Review

Shreya Productions
Editor: Goutham Raju
Music : Amar Mohile,Bapi Tutu,Dharam-Sandeep,Vikram Negi,Vishal
Art: Krishna Maya
Writer : Vivek Krishna
Stunts: Azad javed
Production Designer Kishore
Producer : Kiran Kumar Koneru,Ram Gopal Varma
Director : Vivek Krishna

Star Cast: Naga Chaitanya,Amala Paul, Pradhu, Mukul Dev, Abhimanyu Singh, Ajay, Kota Srinivasan Rao, Ahuti Prasad, Satya Prakash,Bramanandam,Anjana Sukhani etc…

Story:

Naga Chaitanya starrer Bejawada that was supposed to hit the screens on October 21st for Diwali is likely to be postponed to November as per the sources buzz.

The unit has currently moved to Switzerland for canning a couple of songs on the lead pair Naga Chaitanya and Amala Paul. Major part of the film was shot in Vijayawada and Hyderabad. Bejawada is taking shape in the hands of first-timer Vivek Krishna while Ram Gopal Varma and Kiran Kumar Koneru are jointly producing it under the banner of Shreya Productions.

Bejawada has been the most controversial film right from the announcement and RGV has recently changed its title to come out of these controversies. Nevertheless, the film has earned enough publicity with these issues turning out as one of the awaited films of the season.

Bejawada Movie is a controversial project of Ram Gopal Verma since the movie potrays the Vijayawada city as a hub of criminals and gang wars and this could spoil the image of the city which is already facing problems in terms of infrastructure development. Actual story of the movie still not known.

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