You walk in expecting violence in Bezawada and you get only that. Now if you want freshness in killing like the one seen in Naa Peru Shiva, or some great dialogues or interesting characters you won't find any, even some of the artistes look alien may be small-time actors from Hindi movies or television serials and there is no connect.
Any attempt at an elevated gore, a simple message in the end or the Indrakeeladri Hills, the Prakasam Barrage in the backdrop as a prelude or the title song that is shamelessly suggestive of caste and personalities fails to give the script an extra edge. This is a story that is partly biopic and partly raised from fiction, it is about the dead and the dying and there is no philosophical or meaningful engagement of characters or narration.
Wonder why first-time directors work towards making an ardent and a faithful copy of their master's lifeless, pointless and trite stories that are inspired by real-life incidents intended to sensationalise or create shock value. If the same asinine films of faction politics with the same handling of script and narration is continued, then we should stop cribbing about the endless possibilities of dubbing films invading Telugu market.
We shouldn't complain about fabulous actors like Amala Paul doing a role that can be played by any other heroine, as they know they are required to just walk and reel of dialogues..a heroine in Telugu film will always be confined to a small place, they sign the films consciously as they know they will be paid well for that. If Naga Chaitanya's performance has to be judged and the previous film is a parameter for that purpose, then he is definitely better and will always be better as long as he carries a serious expression.
Poor Ahuti Prasad, he is just not himself playing a cop..he is stiff, unnatural and uncomfortable. The role given to Ashok Kumar or Kota is almost the same..all the actors lack fire (they all work with indifference and the lackadaisical attitude is evident like the ones on a government job) lack a connection between their own relationships, audience can easily predict the next dialogue like we do from Manmohan Desai movies.
People are advised to wait for a day or two to watch any film that comes from RGV camp; chances are that you could derive more entertainment on his micro-blogging site free of cost than spending precious time and money on the deranged stories. Bezawada is nothing but another product to fool the audience, reviewers have no choice but you do!
Any attempt at an elevated gore, a simple message in the end or the Indrakeeladri Hills, the Prakasam Barrage in the backdrop as a prelude or the title song that is shamelessly suggestive of caste and personalities fails to give the script an extra edge. This is a story that is partly biopic and partly raised from fiction, it is about the dead and the dying and there is no philosophical or meaningful engagement of characters or narration.
Wonder why first-time directors work towards making an ardent and a faithful copy of their master's lifeless, pointless and trite stories that are inspired by real-life incidents intended to sensationalise or create shock value. If the same asinine films of faction politics with the same handling of script and narration is continued, then we should stop cribbing about the endless possibilities of dubbing films invading Telugu market.
We shouldn't complain about fabulous actors like Amala Paul doing a role that can be played by any other heroine, as they know they are required to just walk and reel of dialogues..a heroine in Telugu film will always be confined to a small place, they sign the films consciously as they know they will be paid well for that. If Naga Chaitanya's performance has to be judged and the previous film is a parameter for that purpose, then he is definitely better and will always be better as long as he carries a serious expression.
Poor Ahuti Prasad, he is just not himself playing a cop..he is stiff, unnatural and uncomfortable. The role given to Ashok Kumar or Kota is almost the same..all the actors lack fire (they all work with indifference and the lackadaisical attitude is evident like the ones on a government job) lack a connection between their own relationships, audience can easily predict the next dialogue like we do from Manmohan Desai movies.
People are advised to wait for a day or two to watch any film that comes from RGV camp; chances are that you could derive more entertainment on his micro-blogging site free of cost than spending precious time and money on the deranged stories. Bezawada is nothing but another product to fool the audience, reviewers have no choice but you do!
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